
BEAUTYBLENDER
Illustration, packaging
2025 →
POPPY BEAUTY
Brand identity
→
MARC JACOBS
Show identity
2015 →
M·A·C COSMETICS
Viva Glam, Fashion Week
2011/14 →









Act of Being / Adbusters / Airwalk / Aldo / Alrosa / Animist / Bandier / bareMinerals / Bulova / Deck of Scarlet / Diane von Furstenberg / Dr. Martens / Eastpak / ELA / Function of Beauty / Hourglass / Jaclyn Hill Cosmetics / Olaplex / Sasson / Smashbox / Teeez / Theory / The Village Voice / Zak
Sauvé /soh·vay/
French, adjective
- Saved.
- Rescued from the predictable.
- See also: SAVE ANNA, 2008.
Manifesto
A new way of seeing things.
I avoid the predictable and explore past the limits of my industry, and yours.
I look to culture to widen the view: zines and white papers, sidewalks and museums, punk and pop art, Peter Saville sleeves, the French New Wave, Nina Simone, ink, graffiti, the clever thing on the street that stops you.
I let curiosity solve the problem, follow the feeling and bring you along from first sketch to final frame.
Part guide, part collaborator. On a mission to remind you of your own creativity.

Brands call me when they need to be noticed. I turn product benefits into ideas people share, read where beauty and fashion are heading next, and build the brand world that carries it from a phone screen to a store window.
I came up through punk, pop art and the fashion press: Adbusters in Vancouver, then New York, where a T-shirt I screen-printed in 2008, SAVE ANNA, went around the world and turned into a label. Since then I have led creative for M·A·C Cosmetics, Maybelline, Kenneth Cole and Old Navy. Typography, hand lettering, collage and illustration are how I think. Style guides and systems are how the idea survives the rollout.
Practice
Campaign conceptsBranding and identity
Typography and lettering
Illustration and collage
Style guides
AI image and video
Press
The New York TimesVogue
Vanity Fair
WWD
The Globe and Mail
Education
BFA, Communication DesignEmily Carr University









